Reblogged from my Archieves: The Gary-Stu or Marty-Stu; Neglected Compared to the Mary-Sue.

evelina-or-the-history-of-young-lady-entrance-into-the-world-by-fanny-burney-0486808580

 

I wrote a longish post about research for historical novels and changing opinions on ‘facts’ in history, and guess what – my PC has eaten it. It is ‘irretrievable’.  Ironically, part of the post metioned the frustration of wasting hours carrying out fruitless research on topics where nobody can give you anything but the vaguest of answers. Well, I wasted a number writing that post, that is for sure.

Seeing that I have resolved to write a blog post every ten days or so in 2020, I am going to cheat and reblog this post that I have already reblogged once, as it still seems to get a fair amount of reads. It is about the male equivalent of the Mary- Sue.

I’ve been looking for discussions about the male equivalent of characters defined as Mary-Sue’s online, and what interests me is how few posts there are about Gary-Stus and Marty-Stus,and how few male characters are defined in this way.

In fact, I read a blog which, while admitting that there are few Gary Stu discussions compared to all those  Mary-Sue accusations flying about, didn’t explore this, going on instead to list various heroines perceived by the author as Mary Sues. I was surprised to find Elizabeth Bennet on this blogger’s list; but more on that later.

Goodreads has a ‘Listopia’ list of Gary-Stus. As I am not a great reader of current fantasy, and most of the male leads named came from this genre, I didn’t know enough about the characters to comment. Even I, however, knew the male leads from the top two. First on the list was Edward Cullen from ‘Twilight’ by Stephanie Myer, and second was Jace from ‘City of Bones’ by Cassandra Clare.

Well, I think I said in my last post that the fact that many readers define the heroes and heroines of these books as Marty-Stus or Gary-Stus seems to have done little to detract from their bestselling status and continuing popularity.

I did let out a hoot of laughter at seeing that Frances Hodgeson-Burnett’s tiresome ‘Little Lord Fauntleroy’ featured on this list, that infamous young Cedric of the sailor suits and suave compliments.

lord-orvilleI added the hero of Fanny Burney’s ‘Evelina’ to this list. Lord Orville is, surely, the original Marty-Stu, perfectly matched to the heroine who competes with Pamela for the title of the original Mary-Sue.

Lord Orville is handsome, witty, suave, gallant, and unlike his roguish rival, Sir Clement Willoughby, tenderly respectful of the heroine’s innocence (this is off topic; but did Jane Austen borrow Clement Willoughby’s name for her own rogue in ‘Sense and Sensibility’?).

12618f13

I also added the secondary hero of Elizabeth Gaskell’s ‘Sylvia’s Lovers’ to the list. Charley Kinraid ‘the boldest Specksioneeer on the Greenland Seas’ is handsome, fearless, irresistible to women, can drink endlessly and never fall down, is a brilliant raconteur, beguiling and the life and soul of the party. Just about the only person who doesn’t admire him in the book is his jealous rival Phillip Hepburn.

Not only that, but he has so much good luck that he is virtually indestructable. He survives two serious gunshot attacks without seemingly lasting ill effects. A woman is rumoured to  have died of a broken heart after he finished with her.

The only bad luck he has is falling victim to a press gang, and the Royal Navy officers quickly take to him and realizing his exceptional abilities, promote him so that within a few years, he is able to marry an heiress. Then, further promoted to Captain, he is able to send out press gangs of his own…

As the term ‘Mary-Sue’ (later mutated to ‘Marty-Stu’ or ‘Gary-Sue’ to accommodate male characters) originated in fantasy fan fiction, I suppose it isn’t surprising that most of these online discussions are about this genre.

I did find a very witty catalogue of types of Marty-Stu on this link. Unfortunately, it’s about those on television rather than in books. It is excellent, and the types are easily recognizable in novels as well as television series and films:

http://tvtropes.org/pmwiki/pmwiki.php/Main/MartyStu

This biting paragraph is particularly apt:

‘Dark Hole Stu: His gravity is so great, he draws all the attention and causes other characters (and, often, reality itself) to bend and contort in order to accommodate him and elevate him above all other characters. Characters don’t act naturally around him – guys wish to emulate him and all the girls flock to him regardless of circumstances. They serve as plot enablers for him to display his powers or abilities, with dialogue that only acts as set-ups for his response. He dominates every scene he is in, with most scenes without him serving only to give the characters a chance to “talk freely” about him – this usually translates to unambiguous praise and exposition about how great he is. Most people don’t oppose him and anybody who does will quickly realise their fault in doing so or just prove easy to overcome. ..’

Nevertheless, looking about for Marty-Stu or Gary-Stu discussions, I am a bit perturbed. There was seemingly so much more talk of Mary-Sues on the web compared to that centering on their male equivalents.

This seems accurately to reflect the different standards  and expectations applied to male and female characters. There does appear to be a good deal less resentment of male characters presented as admirable, handsome, unflappable, invincible in fights, and invariably attractive to most women.

A male character is permitted to have glaring character flaws and still be presented as generally heroic. He is also allowed to be sexually adventurous and even promiscuous; a female character so free with her favours would be defined as ‘slutty’ and lose the sympathy of many female, as well as male, readers.

In fact, being emotionally challenged is often seen as a desirable attribute in these stereoptypical male leads. It is only rarely one with female leads. This has led me to wonder how readers would react, say, to a female version of the Byronic male?

This strikes me at least as being unfair.

I also note, that  for some reviewers, the term ‘Mary- Sue’ is applied rather loosely, being leveled at almost any female character whom they for whatever reason, resent.

This leads me back to the term being applied by one blogger to Elizabeth Bennett. She doesn’t seem to me at all to qualify.

jane-austen-p-and-p

Yes, she is lucky to attract the hero’s admiration, but she does that through wit rather than her looks, which as everyone knows, originally elicited that  ‘not handsome enough to tempt me’ remark from him. It is true that her mother doesn’t appreciate her, and a virtual requirement for Mary-Sues is not to be appreciated by her family – but she is her father’s favourite daughter.

Apart from wit and dancing, she has no particular skills apart from perception.  In the book (as distinct from the film versions) she is depicted as a mediocre singer and pianist; her sister Mary in fact described as more skilled, but with an affected style, so that people find her performances tiresome.

I suspect that the blogger disliked the character of Elizabeth Bennett, but not because she is a Mary-Sue. Possibly, the blogger disliked her because she is generally such a favourite among Jane Austen lovers that the chorus of praise from them becomes boring.

Therefore, it would be good if readers applied that suggestion I found on a fan fiction website about Mary-Sues: ‘Would I find these characteristics so annoying if she was male?’

james-bond

Finally, a highly perceptive remark from a  male poster called Tim Kitchin on Gary Stu’s:

https://www.quora.com/Who-are-the-most-notable-Mary-Sue-characters-in-books-and-literature

‘Jason Bourne, Tintin, James Bond, Ethan Hunt would all ‘fit the description’. The absurdity of these Gary Stus doesn’t go unremarked by fans, but it doesn’t seem to evoke the same cultural baggage and resentment as many Mary Sue characters – for one thing because the intrinsic role-conflict (for which read ‘socially conditioned expectation’) inside male character leads is less complex…and for another because we are so used to them..

Reblogged from my Archieves: The Gary-Stu or Marty-Stu; Neglected Compared to the Mary-Sue.

evelina-or-the-history-of-young-lady-entrance-into-the-world-by-fanny-burney-0486808580

 

I wrote a longish post about research for historical novels and changing opinions on ‘facts’ in history, and guess what – my PC has eaten it. It is ‘irretrievable’.  Ironically, part of the post metioned the frustration of wasting hours carrying out fruitless research on topics where nobody can give you anything but the vaguest of answers. Well, I wasted a number writing that post, that is for sure.

Seeing that I have resolved to write a blog post every ten days or so in 2020, I am going to cheat and reblog this post that I have already reblogged once, as it still seems to get a fair amount of reads. It is about the male equivalent of the Mary- Sue.

I’ve been looking for discussions about the male equivalent of characters defined as Mary-Sue’s online, and what interests me is how few posts there are about Gary-Stus and Marty-Stus,and how few male characters are defined in this way.

In fact, I read a blog which, while admitting that there are few Gary Stu discussions compared to all those  Mary-Sue accusations flying about, didn’t explore this, going on instead to list various heroines perceived by the author as Mary Sues. I was surprised to find Elizabeth Bennet on this blogger’s list; but more on that later.

Goodreads has a ‘Listopia’ list of Gary-Stus. As I am not a great reader of current fantasy, and most of the male leads named came from this genre, I didn’t know enough about the characters to comment. Even I, however, knew the male leads from the top two. First on the list was Edward Cullen from ‘Twilight’ by Stephanie Myer, and second was Jace from ‘City of Bones’ by Cassandra Clare.

Well, I think I said in my last post that the fact that many readers define the heroes and heroines of these books as Marty-Stus or Gary-Stus seems to have done little to detract from their bestselling status and continuing popularity.

I did let out a hoot of laughter at seeing that Frances Hodgeson-Burnett’s tiresome ‘Little Lord Fauntleroy’ featured on this list, that infamous young Cedric of the sailor suits and suave compliments.

lord-orvilleI added the hero of Fanny Burney’s ‘Evelina’ to this list. Lord Orville is, surely, the original Marty-Stu, perfectly matched to the heroine who competes with Pamela for the title of the original Mary-Sue.

Lord Orville is handsome, witty, suave, gallant, and unlike his roguish rival, Sir Clement Willoughby, tenderly respectful of the heroine’s innocence (this is off topic; but did Jane Austen borrow Clement Willoughby’s name for her own rogue in ‘Sense and Sensibility’?).

12618f13

I also added the secondary hero of Elizabeth Gaskell’s ‘Sylvia’s Lovers’ to the list. Charley Kinraid ‘the boldest Specksioneeer on the Greenland Seas’ is handsome, fearless, irresistible to women, can drink endlessly and never fall down, is a brilliant raconteur, beguiling and the life and soul of the party. Just about the only person who doesn’t admire him in the book is his jealous rival Phillip Hepburn.

Not only that, but he has so much good luck that he is virtually indestructable. He survives two serious gunshot attacks without seemingly lasting ill effects. A woman is rumoured to  have died of a broken heart after he finished with her.

The only bad luck he has is falling victim to a press gang, and the Royal Navy officers quickly take to him and realizing his exceptional abilities, promote him so that within a few years, he is able to marry an heiress. Then, further promoted to Captain, he is able to send out press gangs of his own…

As the term ‘Mary-Sue’ (later mutated to ‘Marty-Stu’ or ‘Gary-Sue’ to accommodate male characters) originated in fantasy fan fiction, I suppose it isn’t surprising that most of these online discussions are about this genre.

I did find a very witty catalogue of types of Marty-Stu on this link. Unfortunately, it’s about those on television rather than in books. It is excellent, and the types are easily recognizable in novels as well as television series and films:

http://tvtropes.org/pmwiki/pmwiki.php/Main/MartyStu

This biting paragraph is particularly apt:

‘Dark Hole Stu: His gravity is so great, he draws all the attention and causes other characters (and, often, reality itself) to bend and contort in order to accommodate him and elevate him above all other characters. Characters don’t act naturally around him – guys wish to emulate him and all the girls flock to him regardless of circumstances. They serve as plot enablers for him to display his powers or abilities, with dialogue that only acts as set-ups for his response. He dominates every scene he is in, with most scenes without him serving only to give the characters a chance to “talk freely” about him – this usually translates to unambiguous praise and exposition about how great he is. Most people don’t oppose him and anybody who does will quickly realise their fault in doing so or just prove easy to overcome. ..’

Nevertheless, looking about for Marty-Stu or Gary-Stu discussions, I am a bit perturbed. There was seemingly so much more talk of Mary-Sues on the web compared to that centering on their male equivalents.

This seems accurately to reflect the different standards  and expectations applied to male and female characters. There does appear to be a good deal less resentment of male characters presented as admirable, handsome, unflappable, invincible in fights, and invariably attractive to most women.

A male character is permitted to have glaring character flaws and still be presented as generally heroic. He is also allowed to be sexually adventurous and even promiscuous; a female character so free with her favours would be defined as ‘slutty’ and lose the sympathy of many female, as well as male, readers.

In fact, being emotionally challenged is often seen as a desirable attribute in these stereoptypical male leads. It is only rarely one with female leads. This has led me to wonder how readers would react, say, to a female version of the Byronic male?

This strikes me at least as being unfair.

I also note, that  for some reviewers, the term ‘Mary- Sue’ is applied rather loosely, being leveled at almost any female character whom they for whatever reason, resent.

This leads me back to the term being applied by one blogger to Elizabeth Bennett. She doesn’t seem to me at all to qualify.

jane-austen-p-and-p

Yes, she is lucky to attract the hero’s admiration, but she does that through wit rather than her looks, which as everyone knows, originally elicited that  ‘not handsome enough to tempt me’ remark from him. It is true that her mother doesn’t appreciate her, and a virtual requirement for Mary-Sues is not to be appreciated by her family – but she is her father’s favourite daughter.

Apart from wit and dancing, she has no particular skills apart from perception.  In the book (as distinct from the film versions) she is depicted as a mediocre singer and pianist; her sister Mary in fact described as more skilled, but with an affected style, so that people find her performances tiresome.

I suspect that the blogger disliked the character of Elizabeth Bennett, but not because she is a Mary-Sue. Possibly, the blogger disliked her because she is generally such a favourite among Jane Austen lovers that the chorus of praise from them becomes boring.

Therefore, it would be good if readers applied that suggestion I found on a fan fiction website about Mary-Sues: ‘Would I find these characteristics so annoying if she was male?’

james-bond

Finally, a highly perceptive remark from a  male poster called Tim Kitchin on Gary Stu’s:

https://www.quora.com/Who-are-the-most-notable-Mary-Sue-characters-in-books-and-literature

‘Jason Bourne, Tintin, James Bond, Ethan Hunt would all ‘fit the description’. The absurdity of these Gary Stus doesn’t go unremarked by fans, but it doesn’t seem to evoke the same cultural baggage and resentment as many Mary Sue characters – for one thing because the intrinsic role-conflict (for which read ‘socially conditioned expectation’) inside male character leads is less complex…and for another because we are so used to them..

The Marty Stu or Gary Stu – Neglected Compared to the Mary Sue

evelina-or-the-history-of-young-lady-entrance-into-the-world-by-fanny-burney-0486808580I’ve been looking for discussions about the male equivalent of characters defined as Mary Sue’s online, and what interests me is how few posts there are about Gary Stus and Marty Stus,and how few male characters are defined in this way.

In fact, I read a blog which, while admitting that there are few Gary Stu discussions compared to all those  Mary Sue accusations flying about, didn’t explore this, going on instead to list various heroines perceived by the author as Mary Sues. I was surprised to find Elizabeth Bennet on this blogger’s list; but more on that later.

Goodreads has a ‘Listopia’ list of Gary Stus. As I am not a great reader of current fantasy, and most of the male leads named came from this genre, I didn’t know enough about the characters to comment. Even I, however, knew the male leads from the top two. First on the list was Edward Cullen from ‘Twilight’ by Stephanie Myer, and second was Jace from ‘City of Bones’ by Cassandra Clare.

Well, I think I said in my last post that the fact that many readers define the heroes and heroines of these books as Marty Stus or Gary Stus seems to have done little to detract from their bestselling status and continuing popularity.

I did let out a hoot of laughter at seeing that the tiresome ‘Little Lord Fauntleroy’ featured on this list, that infamous young Cedric of the sailor suits and suave compliments.

lord-orvilleI added the hero of Fanny Burney’s ‘Evelina’ to this list. Lord Orville is, surely, the original Marty Stu, perfectly matched to the heroine who competes with Pamela for the title of the original Mary Sue.

Lord Orville is handsome, witty, suave, gallant, and unlike his roguish rival, Sir Clement Willoughby, tenderly respectful of the heroine’s innocence (this is off topic; but did Jane Austen borrow Clement Willoughby’s name for her own rogue in ‘Sense and Sensibility’?).

12618f13

I also added the secondary hero of Elizabeth Gaskell’s ‘Sylvia’s Lovers’ to the list. Charley Kinraid ‘the boldest Specksioneeer on the Greenland Seas’ is handsome, fearless, irresistible to women, can drink endlessly and never fall down, is a brilliant raconteur, beguiling and the life and soul of the party. Just about the only person who doesn’t admire him in the book is his jealous rival Phillip Hepburn.

Not only that, but he has so much good luck that he is virtually indestructable. He survives two serious gunshot attacks without seemingly lasting ill effects. A woman is rumoured to  have died of a broken heart after he finished with her.

The only bad luck he has is falling victim to a press gang, and the Royal Navy officers quickly take to him and realizing his exceptional abilities, promote him so that within a few years, he is able to marry an heiress. Then, further promoted to Captain, he is able to send out press gangs of his own…

As the term ‘Mary Sue’ (later mutated to ‘Marty Stu’ or ‘Gary Sue’ to accommodate male characters) originated in fantasy fan fiction, I suppose it isn’t surprising that most of these online discussions are about this genre.

I did find a very witty catalogue of types of Marty Stu on this link. Unfortunately, it’s about those on television rather than in books. It is excellent, and the types are easily recognizable in novels as well as television series and films:

http://tvtropes.org/pmwiki/pmwiki.php/Main/MartyStu

This biting paragraph is particularly apt:

‘Dark Hole Stu: His gravity is so great, he draws all the attention and causes other characters (and, often, reality itself) to bend and contort in order to accommodate him and elevate him above all other characters. Characters don’t act naturally around him – guys wish to emulate him and all the girls flock to him regardless of circumstances. They serve as plot enablers for him to display his powers or abilities, with dialogue that only acts as set-ups for his response. He dominates every scene he is in, with most scenes without him serving only to give the characters a chance to “talk freely” about him – this usually translates to unambiguous praise and exposition about how great he is. Most people don’t oppose him and anybody who does will quickly realise their fault in doing so or just prove easy to overcome. ..’

Nevertheless, looking about for Marty Stu or Gary Stu discussions, I am a bit perturbed. There was seemingly so much more talk of Mary Sues on the web compared to that centering on their male equivalents.

This seems accurately to reflect the different standards  and expectations applied to male and female characters. There does appear to be a good deal less resentment of male characters presented as admirable, handsome, unflappable, invincible in fights, and invariably attractive to most women.

A male character is permitted to have glaring character flaws and still be presented as generally heroic. He is also allowed to be sexually adventurous and even promiscuous; a female character so free with her favours would be defined as ‘slutty’ and lose the sympathy of many female, as well as male, readers.

In fact, being emotionally challenged is often seen as a desirable attribute in these stereoptypical male leads. It is only rarely one with female leads. This has led me to wonder how readers would react, say, to a female version of the Byronic male?

This strikes me at least as being unfair.

I also note, that  for some reviewers, the term ‘Mary Sue’ is applied rather loosely, being leveled at almost any female character whom they for whatever reason, resent.

This leads me back to the term being applied by one blogger to Elizabeth Bennett. She doesn’t seem to me at all to qualify.

jane-austen-p-and-p

Yes, she is lucky to attract the hero’s admiration, but she does that through wit rather than her looks, which as everyone knows, originally elicited that  ‘not handsome enough to tempt me’ remark from him. It is true that her mother doesn’t appreciate her, and a virtual requirement for Mary Sues is not to be appreciated by her family – but she is her father’s favourite daughter.

Apart from wit and dancing, she has no particular skills apart from perception.  In the book (as distinct from the film versions) she is depicted as a mediocre singer and pianist; her sister Mary in fact described as more skilled, but with an affected style, so that people find her performances tiresome.

I suspect that the blogger disliked the character of Elizabeth Bennett, but not because she is a Mary Sue. Possibly, the blogger disliked her because she is generally such a favourite among Jane Austen lovers that the chorus of praise from them becomes boring.

Therefore, it would be good if readers applied that suggestion I found on a fan fiction website about Mary Sue’s: ‘Would I find these characteristics so annoying if she was male?’

james-bond

Finally, a highly perceptive remark from a  male poster called Tim Kitchin on Gary Stu’s:

https://www.quora.com/Who-are-the-most-notable-Mary-Sue-characters-in-books-and-literature

‘Jason Bourne, Tintin, James Bond, Ethan Hunt would all ‘fit the description’. The absurdity of these Gary Stus doesn’t go unremarked by fans, but it doesn’t seem to evoke the same cultural baggage and resentment as many Mary Sue characters – for one thing because the intrinsic role-conflict (for which read ‘socially conditioned expectation’) inside male character leads is less complex…and for another because we are so used to them..’

The Mary Sue: What Exactly Makes a Female Character a Mary Sue?

attack_of_50_foot_woman_poster_01‘Which of you dared to call me a Mary Sue?’

A couple of years ago I read a story by an author (traditionally published) whom I generally admire.

This story was fast moving, with a well thought out, tightly constructed plot;  the heroine was independent minded, and never relied on a man to sort out her problems; the characters were vivid; the writing was strong; the background research was admirable but not obtrusive; there was humour; the grammar was excellent –and I ploughed through it.

What was wrong?

It did in fact, take me two days to work it out (quick on the uptake, or what?)

I thought then that the heroine was probably a Mary Sue, according to the definition of it that I had read- ie, that everyone admired her looks, character, moral stance, wit, etc.

But thinking about it recently, I am not even sure of that – because there seems to be some disagreement about what exactly a real Mary Sue is. A real Mary Sue has traits that seem to go beyond being accompanied everywhere by this chorus of admiration.

This is the Wickipedia definition:

A Mary Sue is an idealized and seemingly perfect character, a young or low-rank person who saves the day through unrealistic abilities. Often this character is recognized as an insert or wish-fulfillment.[] Sometimes the name is reserved only for women, and male Sues are called “Gary Stus” or “Marty Stus”; but more often the name is used for both sexes of offenders.

 It seems it isn’t just that an unending chorus of admiration and too easily won devotion that makes for a Mary Sue, but fate working to clear her path miraculously of obstacles.  I can’t say that was true of this particular female lead.

According to this definition, Fanny Burney’s Evelina  and Samuel Richardson’s Pamela seem to me more like stereotypical Mary Sue’s.

thWhile they do make ineffectual efforts to sort out their problems, they are too timid and feminine to do so properly, and these problems miraculously disappear when the hero proposes and so raises their social status.

Also, both heroines are singled out originally for special treatment by other characters so that they are  placed to meet the male leads. Orville and the anti-hero Mr B do quickly single out the heroine for special treatment  too, and continue to pursue her determindly in the face of all discouragement in a decidedly unrealistic way, indicating that the author is removing normal obstacles from the character’s path to social recognition.

In this, they are far more passive than the strong female lead in that other book.  Though she had some special abilities given to her, she did have plenty of obstacles put in her way, and she tackled them bravely. She had none of the timidity of Pamela and Evelina. That was not a fault in the structure of the story.

So why did I  feel so indifferent to the fate of this heroine, who if she did have a fault, was too impulsively brave and independent minded?

I think it comes back to that admiration from the other characters. I find too much of that can even make you feel that with all that admiration going about, the protagonist doesn’t need any from the reader. .

Whereas, if that recent heroine had shown exactly the same characteristics, and not received a fair amount of acknowledgement for them, that would have brought me determinedly in on to her side.

I did wonder, given that this was a well known writer, why there no editors or Beta readers to point out that a character who makes a fool of herself now and then, and who looks less than her best occasionally and who fails to impress someone or other now and then,  is likely to be that much more sympathetic?

I did ask myself too, the Influenced By Sexism question – whether I would have found this female lead so tiresome if she had been a male character – and the answer was that I would probably have found her even more annoying.

Wickipedia also gives a definition of the male Mary Sue, and I think I have come across him rather more often:

Marty Stu or Gary Stu is a male variant on this trope, which shares the same wish-fulfillment aspect but tends to describe a character with traits identified as stereotypically male.

But this post is long enough already. I’ll do some research on male ‘Mary Sues’ or Marty Stus next.

However, this definition still seems a rather unsatisfactory one of a trope that authors go in such dread of following,  that they feel actual horror at the thought of it being applied to their own heroine. Besides, the Wickipedia article concentrates largely on a discussion of fan fiction and Star Trek, I assume because it was through a spoof on this that the term originally came into being.

So, I went looking for other, more detailed definitions of the Mary Sue, confining this at the moment to female characters.

This blog gave an excellent analysis of the way that the Mary Sue permeates all our consciousness, and how to avoid her warping our works:

fmwriters.com/Visionback/Issue30/marysue.html

A Mary Sue is a character that the author identifies with so strongly that the story is warped by it. Sometimes male Sues are called “Gary Stus,” but more often the name is used for both sexes of offenders. The term was coined in fanfiction, made its way from there into the publishing world, and has slowly been filtering into the writing community as a useful shorthand for a frighteningly common error in characterization.

Along the way the definition of a Mary Sue has become muddied. For some, it is any self-insertion of the writer; for others it is when the character is obviously acting as wish-fulfillment for the writer. Sometimes it is a character who is excessively stylish or romantic or over-traumatized, or who never does anything wrong.

But these are all symptoms of the same literary crime: a character who, by the writer’s obsession with her, subverts the truth and power of the story. Mary Sue fights to appear in all our stories. She is the story equivalent of the spoilt brat who always gets her way, with the writer-parent running before her anxiously smoothing her path; she is lovable to no one but that parent. Mary Sues sometimes appear in valid works of fiction, but more often they render the story unreadable, a source of satisfaction to the writer alone. Spotting her and learning to discipline her is as important for writers as it is for parents.
Then, this blog, while it is largely about writing fan fiction, is useful for all writers on the topic of Mary Sues:

www.springhole.net/writing/mary-sue-subtypes.htm#fbnr-sue

Interestingly, a character being a Mary Sue does not mean that book will be a failure. After all, Bella Swan of ‘Twilight’ is very often defined as the archtypical Mary Sue. And who wouldn’t be happy with that level of success and public recognition?

Here is a very funny blog, the hall of ‘The Mary Sue Hall of Fame’

http://themostperfectblogever.tumblr.com/search/Bella+Swan